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FREE ESSAY ON POP ART

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Pop Art and Richard Hamilton
This paper discusses the Pop Art movement; Richard Hamilton, the father of this movement; and his collage, “Just What Is It That Makes Today's Homes So Different, So Appealing?”. -- 1,430 words; MLA

Modernism and Pop Art
A discussion on modernism and the elements of pop art. -- 1,840 words; MLA

Pop Art, Rock 'n Roll Music and Modernist Literature
An analysis of pop art, Rock 'n Roll music and modernist literature in the 20th century. -- 1,094 words; MLA

Art and Pop Art
A comparative analysis of art with pop art using the works of Andy Warhol and Leonardo Da Vinci. -- 1,150 words;

Pop Artist Andy Warhol
This paper discusses the history of the Pop Art movement and the work of Andy Warhol. -- 2,190 words; MLA

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POP ART

The birth of Pop art (short for Popular art) emerged in England between the years of 1950
and 1960, but heightened to its full potential in New York. Pop art was a form of
rebellion against Abstract Expressionism. Pop artists felt that "Abstract Expressionism
was an elite art, to which only a tiny class, mainly of painters and poets, could
respond" (30 Compton). Pop artists also considered them pretentious and over-intense and
at the same time, only selling to the greedy middle class. So, in order for the artists
who were against Abstract Expressionism to dissent from that pretentious position they
created Pop art.
Pop art is the imagery of popular culture drawn from the cinema, television, advertising,
comics and packaging to express abstract formal relationships. Furthermore, Pop artists
also duplicated common mass production images such as beer bottles, soup cans, comic
strips and road signs in paintings, collages, and sculptures. Others actually
incorporated the objects themselves into their paintings and sculptures, and often times
modifying them as well. Materials of modern technology, such as plastic, urethane foam,
and acrylic paint, were also included in some of their art works. 
Critics did not easily accept this new and bizarre style of art. In fact, the
"politically engaged critics … complained that Pop art is the art of passive
acceptance" and that the subject matters are wild and impassioned, "and therefore in
itself a satire on American life". (30 Compton) However, that is rarely the case, the
artists may be radical but they never intend to satirize the American life. Their only
purpose is to stress the importance of an everyday object and their instant recognizable
image and for everyone to be able to relate to it 
Bibliography
Compton, Michael. Movements of Modern Art: Pop Art. London: The Hamlyn Publishing Group,
1970.
Livingstone, Marco. Pop Art: A Continuing History. New York: Harry N. Abrams, Inc., 1990.


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