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FREE ESSAY ON GREEK FEMININITY

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The Greek Language
An in-depth look at the Greek language, past and present. -- 2,430 words; MLA

Sports and Femininity
An examination of the relationship between sports and the social construction of femininity. -- 1,350 words;

Thesmophoria
A debate of the traditional and modern critical views of the female festival Thesmophoria in the Greek religion. -- 1,800 words;

Women Struggles in "The Medea" and "A Doll's House"
An analysis of how women challenged the feminine role in Euripedes' "The Medea" and Henrik Ibsen's "A Doll's House". -- 1,750 words; MLA

A Roman View of Penelope
The author of the paper examines the portrayal of Homer's Penelope from the "Odyssey" in the writings of the Roman writer, Ovid. -- 1,341 words; MLA

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GREEK FEMININITY

Greek Ideas on Gender Roles
Throughout history, the roles of women and men have always differed to some degree. In
ancient Greece, the traditional roles were clear-cut and defined. Women stayed home to
care for children and do housework while men left to work. This system of society was not
too far off the hunter gatherer concept where women cared for the house and the men
hunted. Intriguingly enough, despite the customary submissive role, women had a more
multifaceted role and image in society as juxtaposed with the rather simple role men
played. Morals for the two were also different. Men obviously had the upper hand with
women being the traditional passive. 
For an example, it was quite acceptable for a man to commit adultery- however a woman was
to remain chaste. The only exception to this was if the lover in question was a god. For
some odd reason, it seemed that men were allowed to be philanderers while their wives
stayed at home. This is evidenced in the Odyssey quite well- Odysseus the 'hero' is free
to sample all the pretty ladies he cares to, whereareas Penelope his wife is expected to
fend off all the suitors at home. Predictably, Penelope melts into his arms when she
realizes it is her long lost husband without pausing to consider what he has done in his
absence. This reaction portrays the unequal morals of Greek society regarding gender.
Euripides's Medea portrays women who are not quite as lucky as Penelope:
"Oh, unfortunate one, Oh cruel! 
Where will you turn? 
Who will help you? 
What house or what land to preserve you from ill can you find? 
Medea, a god has thrown suffering upon you in waves of despair." 
In this play, Medea's husband Jason has left her and their children to fend for
themselves while he cavorts with his new princess bride. Generally speaking, there is
nothing Medea can do and the attitude conveyed by the Corinthian women thoroughly
explains this.
As shown, women were considered naturally submissive as in most other old cultures. This
is somewhat understandable as women were the ones who bore children and men provided for
the family unit. As time progressed, this stereotype was over emphasized into what is
portrayed in these plays and poems. Despite this submissive image, Greek women were not
considered naive, but a pleasurable if a bit foolish kind of a creature. In Aristophane's
play, Lysistrata, this concept is amply portrayed. Most of the women are portrayed, as
impulsive individuals while men are carnal gluttons. Notwithstanding this facet of their
image women could also be wily as Medea and Lysistrata: 
"What is more, you were born a woman, 
And women, though most helpless in doing good deeds, 
Are of every evil the cleverest of contrives"
The deceitful female is epitomized by the character of Aphrodite in Euripidies's
Hippolytus. Due to having her altar neglected (as in the case of Psyche) she plotted to
bring ruin to Hippolytus and all those who loved him. At the end of the play, Artemis
plots revenge against Aphrodite (also called Cypris) saying:
"Hush, that is enough! You shall not be unavenged,
Cypris shall find the angry shafts she hurls
Against you for you're your piety and innocence
Shall cost her dear.
I'll wait until she loves a mortal next time,
And with this hand—with these unerring arrows
I'll punish him."
Thus it is not only the mortal women who are vindictive, but it is the very nature of
womankind 
To be passively wicked. 
One of the few exceptions to the image of the submissive Greek woman were the Amazons.
The Amazons were a race of mythical warrior women who were completely dedicated to their
work. When they reached maturity, they burned off one of their breasts to make archery
easier, and dominated what men they kept. Their male children were killed and only the
girls were kept. Artemis the huntress and her followers also defied traditional imagery.
Yet no non-virgin was a part of Artemis's coterie which excludes the majority of women. 
However independent, even the legendary Amazons were defeated by a man. In the labors of
Hercules, one of his tasks was to fetch the girdle of the Amazon Queen. Hercules was
received unusually well by the Amazons. However, he finished by killing their Queen by
misjudgment after he obtained her girdle. Thus a man crushed even the Amazons.
Most of the Greek myths reinforce this idea of male superiority. In the myth of Cupid and
Psyche, it is Psyche's feminine curiosity, which drives Cupid away. Only by enduring
hardships is Psyche allowed to be reunited with Cupid although it was Cupid who drove
Psyche to investigate as to who her husband was. This myth implies that women must not
question the will of men even though what they do is nonsensical. Sophocles further
examines this point in the play Antigone. Antigone, daughter of the incestuous Oedipus is
the protagonist is punished for merely trying to give her brother a burial. Commonly
speaking, a burial is the only decent thing a sister can do for her brother, yet she is
forbidden for doing so. She then commits suicide whereupon her fiancee the king's son
also commits suicide. The play Antigone explores two different attitudes taken by Greek
women. Antigone is the fiery woman who insists on doing what she believes is right which
she gets punished for. Ismene is submissive and frightened, yet she ultimately suffers
also. In other words, no matter what a woman does, she will suffer- yet the more
rebellious one will be directly squelched. 
In addition to the idea of masculine superiority is the principle of the male protector.
In the myth of Eurydice and Orpheus, a snake bites Eurydice and she dies. Orpheus then
attempts to rescue her from Hades and almost succeeds but ultimately fails in the end by
looking back. Despite the failure the point remains that the Greeks decided that it was
Orpheus who tries to save Eurydice instead of Eurydice saving Orpheus. 
Sappho implies in her poem(s) that women are very susceptible to emotions by using
herself as an example. In her poems she is wholly taken up by each emotion. In Byron's
Don Juan, Sappho is referred to as '…burning Sappho loved and sung… '
Indicating how emotional her writing was. This attitude is echoed in the Victorian age,
which unsurprisingly was influenced by the culture of the ancient Greeks. Many
psychologists developed their theories on human development by using the Greek myths;
therefore our culture is still permeated by classic mythology. For an example, Freud
developed his famous theory regarding child development from the story of Oedipus. 
Ancient Greece was definitely a patriarchal society. Brides went to their husband's home.
Her property also presumably became his. In Medea, Jason explains this aspect of marriage
in his explanation of his political reasons of marrying the princess for the benefit of
Medea and her children. 
It was not only the domestic sphere that was affected by gender. Vengeance was considered
vulgar and inappropriate in ladies, and acceptable in men. Clytymnestra was berated as a
whore for taking a lover and killing her husband Agamemnon, even though he killed his own
child to guarantee killing other people. Medea was berated for avenging herself on Jason.
Conversely, vengeance is perfectly fine for men as shown by Achilles killing Hector for
Patrocleus. 
Asides from vengeance, infanticide is viewed differently also. Medea killing her children
is considered base where Agamemnon killing his daughter is excusable. 
Men and women lived in completely dissimilar spheres, until the time of marriage. Even
after marriage, they still retained strong ties to their own spheres by Achilles and
Patrocleus. This is aspect of young life is depicted by Sappho in her poems. Apparently
alternative lifestyles were commonly accepted in youth and continued throughout
adulthood. This passive encouragement of homosexuality further strengthened ties between
the separate genders and emphasizing the differences. 
Human society does not really change. The roles each gender plays in society has not
changed drastically since the time of the ancient Greeks, and this goes to suggest that
these roles are deeply rooted and possibly genetic. However chauvinistic Greek myths are
telling the truth, which explains why they have influenced modern culture to the extent
it has. 

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