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"Mary Shelley's Frankenstein" ( Kenneth Branagh ) and "Frankenstein" by Mary Shelley
This paper compares the film director Kenneth Branagh's and book author Mary Shelley's depictions of "Mary Shelley's Frankenstein" and "Frankenstein" respectively: Characters, relationships, plot, focus, images, pacing and style -- 1,350 words;

Victor Frankenstein
A discussion of the irrationality of the character of Victor Frankenstein in Mary Shelley's "Frankenstein". -- 987 words; MLA

"Frankenstein"
An analysis of the significance of thunderstorms in "Frankenstein," by Mary Wollstonecraft Shelley, as discussed by John Clubbe in his article "The Tempest-toss'd Summer of 1816: Mary Shelley's Frankenstein." -- 1,032 words; MLA

Film: "Frankenstein" (1931)
This paper examines the societal aspects of the classic Frankenstein story as presented in the 1931 film production of "Frankenstein", directed by James Whale. -- 925 words;

"Frankenstein" and "The Birthmark"
A comparative analysis of the characters of Alymer and Frankenstein in Mary Shelley's "Frankenstein" and Nathaniel Hawthorne's "The Birthmark". -- 920 words; MLA

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FRANKENSTEIN THEME

Themes of Frankenstein
There are many different themes expressed in Mary Shelly's Frankenstein. They vary with
each reader but basically never change. These themes deal with the education that each
character posses, the relationships formed or not formed in the novel, and the
responsibility for ones own actions. This novel even with the age still has ideas that
can be reasoned with even today.
Each character has their own educational background, which in turn has a large effect to
the way they react and deal with the issues that face them. One example of this is Victor
Frankenstein; he took his education into his own hands. When he went to the University of
Inglostaldt he intoxicated himself with the sciences so deeply that he never imagined the
morality of what he was doing. He stayed so involved and focused on his experiments that
he did not take into mind what could happen because of the size of the creature. Victor
said:
Although I possessed the capacity of bestowing animation, yet to prepare a frame for the
reception of it, with all its intricacies of fibres, muscles and veins, still remained a
work of inconceivable difficulty... As the minuteness of the parts formed a great
hindrance to my speed, I resolved, contrary to my first intention, to make the being of a
gigantic stature; that is to say about eight feet in height, and proportionately large.
(52)
But when he finished the science that brought him there has also scared him away. On page
56 Victor tells about the creation and what it meant to him and what happened when life
filled the body:
I had worked hard for nearly two years, for the sole purpose of infusing life into an
inanimate body. For this I had deprived myself of rest and health. I had desired it with
an ardour that far exceeded moderation; but now that I had finished, the beauty of the
dream vanished and breathless horror and disgust filled my heart. (56)
Victor's education has leaded him to be able to create a monster but not let him fully
think out the havoc that might be unleashed. His education only let him create a monster
but never taught him how to care for it; this ends up resulting in the loss of innocent
lives.
This theme is also present when looking at the creation's education. He received most of
his education hands on, by himself, and by the observation of others, especially the De
Laceys. A strange multiplicity of sensations seized me, and I saw felt, heard, and smelt,
at the same time; and it was indeed, a long time before I learned to distinguish between
my operations of my various senses (98). He watched the De Laceys and learned how to
talk, read, and how to love. He read about the creation of Adam and compared himself to
the story of the fallen angel. This education may not be the deepest or most rational but
it does connect deep into the minds of the reader.
Though education in this novel helps to form some of the bonds between characters the
bonds that do not form play an important role in Frankenstein. The most prevalent
relationship that does not ever truly form is that between the Victor and his creation.
Victor, during his making of the creature, is so proud and infatuated with the idea of
what he is bringing to the world; but when life flows through the veins of the creature
Victor is terrified and abandons him. He could not stand to see the wretch of a being
that he created. Before the creature was alive he was beautiful to Victor. This
abandonment set the relationship out on thin ice in the beginning. Victor had no one to
tell him how to handle the problem and take care of the creature so in turn he ran from
the creature. This situation is like that of a parent but Victor's idea was more of
possession, ownership, and success of the creation itself. Victor's character was not one
that could cope with what he has done.
The reader empathizes with the child, in this case the monster. The reader through the
creature's story feels for the abandonment that he must have felt. The creature never
formed a relationship with anyone in the novel. He only for a brief period of time had
someone to really communicate with when he met Mr. De Lacey, but the children ran him off
and again he was left alone, unloved and unwanted. The creation told Victor his feelings
when he said, Satan had his companions, fellow devils, to admire and encourage him, but I
am solitary and abhorred(125). The creation felt so alone that he asked Victor to make
him a companion just as horrid as he is, but Victor would not recreate what he has
already done. The monster got so upset that he vowed revenge until the very end of
Victor's of his won life. If the creature had a friend or a companion he might have never
went into his murderous rage. 
Since the relationship between Victor and his creation was like that of a parent and a
child, when Victor abandons the creature he leaves all of the responsibility of what he
has done. Victor has a great desire to receive the success and recognition of what he has
to offer to society, but what he does not think about is what could happen if he is
successful in bringing life to a dead object. When he flees from the creature this leads
the creature to his wrath of fury and vengeance. Victor is so involved in thinking how
his discoveries can help mankind but not how the monster could be a burden to society.
When the creature talks to Victor, he starts to see the responsibility that he owes the
creature. Victor agrees to start a companion for the creature but finally thinks about
what could happen with the two creations together. He tears up the second creation. This
shows that he is taking some of the responsibility to the society: 
...For the first time, the wickedness of my promise burst upon me; I shuddered to think
that the future ages might curse me as their pest, whose selfishness had not hesitated to
bury its own peace at the price, perhaps, of the existence of the whole human race.
(159)
Victor realizes he is truly responsible towards society and by tearing up the second
creation upholds that responsibility.
The novel points out to the reader that education, relationships, and responsibility are
important traits to posses, even to the people in the 1800's to present day. Frankenstein
is a classic novel that will live on for centuries to come as well as the message deep
inside.
Bibliography
Shelly, Mary. Frankenstein. New York: Penguin, 1983.

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