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FREE ESSAY ON A WOMAN'S ROLE

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A Woman's Role in the Late 1800's
This paper discusses the role of women in the late 1800's and how the Lowell Factory System influenced a social revolution for women. -- 940 words; APA

The Woman’s Role
The following paper discusses whether one can be a wife and a fully autonomous human being at the same time with specific reference to Charlotte Gilman’s novella "The Yellow Wallpaper", Kate Chopin’s novel "The Awakening" and Alice Walker’s “Roselilly”. -- 1,715 words; MLA

Women's Roles in Literature
Compares the women's roles in 19th and 20th century literature to their roles in contemporary society. -- 1,695 words; MLA

Women's Roles in Korea
Addresses the role of women in Korea both before and after the country's contact with the West. -- 2,150 words;

African Women's Roles
An exploration of the impact of Islam and European culture on the roles of African women. -- 3,975 words; MLA

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A WOMAN'S ROLE

According to Judeo-Christian tradition, divine edict clearly relegates women to a position
of subservience beneath men, as expressed in the Genesis creation account. This idea of
female servility has dominated Western culture for thousands of years with virtually no
significant changes; only in the past several decades has the notion of male dominance
lost wide-spread acceptance in America. Prior to this cultural shift, American ideology
mandated that women dutifully obey their husbands and confine themselves to managing the
home and raising children, thus depriving them of any power beyond the sphere of the home
and rendering them dependent on their husbands. This mentality is especially apparent in
the movie, The Sound of Music.
In The Sound of Music, female characters are portrayed to be highly dependent upon men, a
central aspect of the traditional woman's role. This is initially shown in the scene
where Ralph and Liesl are singing and dancing in the gazebo. Liesl sings that she is
scared to face a world of men and would like to depend on Ralph in order to alleviate her
fear. Ralph acknowledges and accepts her submission, telling Liesl that since he is older
and wiser he will take care of her. Liesl offers to submit herself to Ralph in accordance
with her preconceived notion of male-female relationships, thus fulfilling her yearning
of security in social normalcy. She is willing to become dependent upon Ralph and cross
the threshold into traditional womanhood. 
Although she may wear a mask of independence, Maria also fills the role of the
traditional woman. Independence can be measured by the amount of control one has over her
own life, and, if Maria's control over herself is analyzed, it is clear that she lacks
independence. Initially, Maria appears to be independent when she ignores the Captain's
prescriptions for stern child raising and defies his direct orders by making the children
play clothes. When Maria is reprimanded for her actions, she stands up to the Captain,
criticizing the way he raises his children. Through these actions, Maria seems to deviate
from stereotypical feminine behavior by challenging the Captain's authority, however,
upon closer examination, such is not the case. The children are traditionally the woman's
responsibility and are a matter over which she is supposed to have control. In standing
up to the Captain, Maria is merely exercising the domestic influence granted to her under
the cultural ideal of female subservience. Even this control is limited, as the Captain
can overrule Maria's decisions at any time. The Captain, who has ultimate power over his
household, silences Maria's attempt at insurgence by ordering her to return to the abbey.

The woman, Maria, does not have ultimate control of the children and lacks control over
her own actions. Maria demonstrates pseudo-control over her own life when she decides to
leave the abbey permanently. Though it seems she is making a great decision for herself
and is demonstrating independence, she had only a very limited choice. Maria had to
decide which of the accepted woman's roles she would take. The only two accepted
lifestyles were that of a nun or a wife. Maria's choices were defined by men and
therefore her control was in the hands of men, robbing her of true independence. All
matters of true significance were controlled by men, defining the traditional
stereotype.
When assuming the role of the children's mother, Maria matches the criterion of a
traditional woman very well. Like the stereotypical mother, she nurtures the children,
comforting them during a thunderstorm and protecting them from their father's anger after
they placed a pine cone on her dinner seat as a practical joke. Maria plays games with
the children, teaches them to sing, and helps them learn to be comfortable in nearly any
situation, as a traditional mother should.
Maria also fills the role of a traditional wife. After she and the Captain establish an
intimate relationship, she aids and serves him in any way possible. This subservience of
a woman to a man is one of the fundamental principles of the traditional wife. When the
family is fleeing Austria, she dutifully obeys the Captain. Maria never questions the
Captain's convictions and helps him in escaping the Nazi troops. She completely trusts
his decisions and places her life and the lives of the children in his hands. 
The main women characters of The Sound of Music are illustrate the ideal of female
servility in Western culture. The women are dutiful and submissive to the men surrounding
them. 

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